What Is Alchemy? [2]

Arthur Edward Waite

ELIPHAS LEVI affirms that all religions have issued from the Kabbalah and return into it; and if the term be intended to include the whole body of esoteric knowledge, no advanced occultist will be likely to dispute the statement. So far as books are concerned, it may, in like manner, be affirmed that all modern mystical literature is referable ultimately to two chief sources: on the one hand, to the wonderful books on Magic which were written by Eliphas Levi himself, and of which but a faint conception is given in the sole existing translation; and, on the other, to the "Suggestive Inquiry Concerning the Hermetic Mystery," that singular work to which reference was made last month as containing the first promulgation of the spiritual theory of Alchemy. This seems at first sight an extreme statement, and it is scarcely designed to maintain, that, for example, the Oriental doctrine of Karma is traceable in the writings of the French initiate who adopted the Jewish pseudonym of Eliphas Levi Zahed, nor that the "recovered Gnosis" of the "New Gospel of Interpretation" is borrowed from the Suggestive Inquiry. But these are the two chief sources of inspiration, in the sense that they have prompted research, and that it is not necessary to go outside them to understand how it is that we have come later on to have Theosophy, Christo-Theosophy, the New Kabbalism of Dr. Wynn Westcott, and the illuminations of Mrs. Kingsford. Everywhere in Isis Unveiled the influence of Eliphas Levi is distinctly traceable; everywhere in the Recovered Gnosis there is the suggestion of the Inquiry. Even the Rosicrucianism of the late Mr. Hargrave Jennings, so far as it is anything but confusion, is referable to the last mentioned work. It is doubtful if Eliphas Levi did not himself owe something to its potent influence, for his course of transcendental philosophy post dates the treatise on the Hermetic Mystery by something like ten years, and he is supposed to have accomplished wide reading in occult literature, and would seem to have known English. As it is to the magical hypotheses of the Frenchman that we are indebted for the doctrines of the astral light and for the explanations of spiritualistic phenomena which are current in theosophical circles, to name only two typical instances, so it is of the English lady that we have derived the transcendental views of alchemy, also every where now current, and not among Theosophists only. At the same time, it is theosophical literature chiefly which has multiplied the knowledge concerning it, though it does not always indicate familiarity with the source of the views. It is also to Theosophy that we owe the attempt to effect a compromise between the two schools of alchemical criticism mentioned last month, by the supposition that there were several planes of operation in alchemy, of which the metallic region was one.

Later speculations have, however, for the most part, added little to the theory as it originally stood, and the Suggetive Inquiry is in this respect still thoroughly representative.

To understand what is advanced in this work is to understand the whole theory, but to an unprepared student its terminology would perhaps offer certain difficulties, and therefore in attempting a brief synopsis, it will be well to present it in the simplest possible manner.

The sole connection, according to the Suggestive Inquiry, which subsists between Alchemy and the modern art of Chemistry is one of terms only. Alchemy is not an art of metals, but it is the Art of Life; the chemical phraseology is a veil only, and a veil which was made use of not with any arbitrary and insufficient desire to conceal for the sake of concealment, or even to ensure safety during ages of intolerance, but because the alchemical experiment is attended with great danger to man in his normal state. What, however the adepts in their writings have most strenuously sought to conceal is the nature of the Hermetic Vessel, which they admit to be a divine secret, and yet no one can intelligently study these writings without being convinced that the vessel is Man himself. Geber, for example, to quote only one among many, declares that the universal orb of the earth contains not so great mysteries and excellencies as Man re-formed by God into His image, and he that desires the primacy amongst the students of Nature will no where find a greater or better subject wherein to obtain his desire than in himself, who is able to draw to himself what the alchemists call the Central Salt of Nature, who also in his regenerated wisdom possesses all things, and can unlock the most hidden mysteries. Man is, in fact, with all adepts, the one subject that contains all, and he only need be investigated for the discovery of all. Man is the true laboratory of the Hermetic Art, his life is the subject, the grand distillery, the thing distilling and the thing distilled, and self-knowledge is at the root of all alchemical tradition. To discover then the secret of Alchemy the student must look within and scrutinize true psychical experience, having regard especially to the germ of a higher faculty not commonly exercised but of which he is still in possession, and by which all the forms of things, and all the hidden springs of Nature, become intuitively known. Concerning this faculty the alchemists speak magisterially, as if it had illuminated their understanding so that they had entered into an alliance with the Omniscient Nature, and as if their individual consciousness had become one with Universal Consciousness. The first key of the Hermetic Mystery is in Mesmerism, but it is not Mesmerism working in the therapeutic sphere, but rather with a theurgic object, such as that after which the ancients aspired, and the attainment of which is believed to have been the result of initiation into the Greater Mysteries of old Greece. Between the process of these Mysteries and the process of Alchemy there is a distinctly traceable correspondence, and it is submitted that the end was identical in both cases. The danger which was the cause of the secrecy was the same also; it is that which is now connected with the Dwellers on the Threshold, the distortions and deceptions of the astral world, which lead into irrational confusion. Into this world the mesmeric trance commonly transfers its subjects, but the endeavour of Hermetic Art was a right disposition of the subject, not only liberating the spirit from its normal material bonds, but guaranteeing the truth of its experiences in a higher order of subsistence. It sought to supply a purely rational motive which enabled the subject to withstand the temptation of the astral sphere, and to follow the path upwards to the discovery of wisdom and the highest consciousness. There the soul knows herself as a whole, whereas now she is acquainted only with a part of her humanity; there also, proceeding by theurgic assistance, she attains her desired end and participates in Deity. The method of Alchemy is thus an arcane principle of self-knowledge and the narrow way of regeneration into life. Contemplation of the Highest Unity and Conjunction with the Divine Nature, the soul's consummation in the Absolute, lead up to the final stage, when the soul attains "divine intuition of that high exemplar which is before all things, and the final cause of all, which seeing only is seen, and understanding is understood, by him who penetrating all centres, discovers himself in that finally which is the source of all; and passing from himself to that, transcending, attains the end of his profession. This was the consummation of the mysteries, the ground of the Hermetic philosophy, prolific in super-material increase, transmutations, and magical effects."

It was impossible in the above synopsis, and is indeed immaterial at the moment, to exhibit after what manner the gifted authoress substantiates her theory by the evidences of alchemical literature. It is sufficient for the present purpose to summarize the interpretation of Alchemy which is offered by the Suggestive Inquiry.

The work, as many are aware, was immediately withdrawn from circulation; it is supposed that there are now only about twelve copies in existence, but as it is still occasionally met with, though at a very high price, in the book-market, this may be an understatement. Some ten years later, Eliphas Levi began to issue his course of initiation into "absolute knowledge," and in the year 1865 an obscure writer in America, working, so far as can be seen, quite independently of both, published anonymously a small volume of "Remarks on Alchemy and the Alchemists," in which it was attempted to show that the Hermetic adepts were not chemists, but were great masters in the conduct of life. Mr. Hitchcock, the reputed author, was not an occultist, though he had previously written on Swedenborg as a Hermetic Philosopher, and no attention seems to have been attracted by his work.

The interpretation of the Suggestive Inquiry was spiritual and "theurgic" in a very highly advanced degree: it was indeed essentially mystical, and proposed the end of Mysticism as that also of the Alchemical adepts. The interpretation of Eliphas Levi, who was an occultist rather than a Mystic, and does not seem to have ever really understood Mysticism, may be called intellectual, as a single citation will suffice to show.

"Like all magical mysteries, the secrets of the Great Work possess a three-fold significance: they are religious, philosophical, and natural. Philosophical gold is, in religion, the Absolute and Supreme Reason; in philosophy, it is truth; in visible nature, it is the Sun; in the subterranean and mineral world, it is most pure and perfect gold. It is for this cause that the search for the Great Work is called the search after the Absolute, and that the work itself passes as the operation of the Sun. All masters of the science have recognised that material results are impossible till all the analogies of the Universal Medicine and the Philosophical Stone have been found in the two superior degrees. Then is the labour simple, expeditious, and inexpensive; otherwise, it wastes to no purpose the life and fortune of the operator. For the soul, the Universal Medicine is supreme reason and absolute justice; for the mind, it is mathematical and practical truth; for the body, it is the quintessence, which is a combination of gold and light."

The interpretation of Hitchcock was, on the other hand, purely ethical. Now, as professedly an expositor of Mysticism, The Unknown World is concerned here only with the first interpretation, and with the clear issue which is included in the following question: — Does the literature of Alchemy belong to Chemistry in the sense that it is concerned with the disintegration of physical elements in the metallic order, with a view to the making of gold and silver, or is it concerned with man and the exaltation of his interior nature from the lowest to the highest condition?

In dealing with this question there is only one way possible to an exoteric inquiry like the present, and that is by a consideration of the literature and history of Alchemy. For this purpose it is necessary to begin, not precisely at the cradle of the science, because, although this was probably China, as will be discussed later on, it is a vexatious and difficult matter to settle on an actual place of origin; but for the subject in hand recourse may be had to the first appearance of Alchemy in the West, as to what. is practically a starting-point.

It is much to be deplored that some esoteric writers at this day continue to regard ancient Greece and Rome as centres of alchemical knowledge. It is true that the Abbe Pernety, at the close of the last century, demonstrated to his own satisfaction that all classical mythology was but a vesture and veil of the Magnum Opus and the fable of the Golden Fleece is regarded as a triumphant vindication of classical wisdom in the deep things of transmutation. But this is precisely one of those airy methods of allegorical interpretation which, once fairly started, will draw the third part of the earth and sea, and the third part of the stars of heaven, in the tail of its symbolism. Neither in Egypt, in Greece, or in Rome, has any trace of Alchemy been discovered by historical research till subsequent to the dawn of the Christian era, and in the face of this fact it is useless to assert that it existed secretly in those countries, because no person is in a position to prove the point. All that is known upon the problem of the origin of Alchemy in the Western Hemisphere is to be found in Berthelot's Collection des Anciens Alchimistes Grecs, and the exhaustive erudition which resulted in that work is summed up in the following statement: — "Despite the universal tradition which assigns to Alchemy an Egyptian Origin, no hieroglyphic document relative to the science of transmutation has yet been discovered. The Graeco-Egyptian Alchemists are our sole source of illumination upon the science of Hermes, and that source is open to suspicion because subject to the tampering of mystic imaginations during several generations of dreamers and scholiasts. In Egypt, notwithstanding, Alchemy first originated; there the dream of transmutation was first cherished;" but this was during and not before the first Christian centuries.

The earliest extant work on Alchemy which is as yet known in the West is the papyrus of Leide, which was discovered at Thebes, and is referable to the third century of this era. It contains seventy-five metallurgical formulae, for the composition of alloys, the surface colouration of metals, assaying, etc. There are also fifteen processes for the manufacture of gold and silver letters. The compilation, as Berthelot points out, is devoid of order, and is like the note-book of an artisan. It is pervaded by a spirit of perfect sincerity, despite the professional improbity of the recipes. These appear to have been collected from several sources, written or traditional. The operations include tinging into gold, gilding silver, superficial colouring of copper into gold, tincture by a process of varnishing, superficial aureation by the humid way, etc. There are many repetitions and trivial variations of the same recipes. M. Berthelot and his collaborator regard this document as conclusively demonstrating that when Alchemy began to flourish in Egypt it was the art of sophistication or adulteration of metals. The document is absolutely authentic, and "it bears witness to a science of alloys and metallic tinctures which was very skilful and very much advanced, a science which had for its object the fabrication and falsification of the matters of gold and silver. In this respect it casts new light upon the genesis of the idea of metallic conversion. Not only is the notion analagous, but the practices exposed in this papyrus are the same as those of the oldest Greek alchemists, such as pseudo-Democritus, Zosimus, Olympiodorus, and pseudo-Moses. This demonstration is of the highest importance for the study of the origines of Alchemy. It proves it to have been founded on something more than purely chimerical fancies — namely, on positive practices and actual experiences, by help of which imitations of gold and silver were fabricated. Sometimes the fabricator confined himself to the deception of the public, as with the author of Papyrus X (i.e., the Theban Papyrus of Leide), sometimes he added prayers and magical formulae to his art, and became the dupe of his own industry." Again: "The real practices and actual manipulations of the operators are made known to us by the papyrus of Leide under a form the most clear, and in acccrdance with the recipes of pseudo-Democritus and Olympiodorus. It contains the first form of all these procedures and doctrines. In pseudo-Democritus and still more in Zosimus (the earliest among the Greek alchemists), they are already complicated by mystical fancies; then come the commentators who have amplified still further the mystical part, obscuring or eliminating what was practical, to the exact knowledge of which they were frequently strangers. Thus, the most ancient texts are the clearest."

Now, there are many points in which the occultist would join issue with the criticism of M. Berthelot, but it is quite certain that the Egyptian papyrus is precisely what it is described to be, and there is, therefore, no doubt that the earliest work which is known to archaeology, outside China, as dealing with the supposed transmutation of metals is in reality a fraudulent business. This fact has to be faced, together with any consequences which it rigidly entails. But before concluding this paper it will be well to notice (I.) That it is impossible to separate the Leide papyrus from a close relationship with its context of other papyri; as admitted by Berthelot, who says: — "The history of Magic and of Gnosticism is closely bound up with that of the origin of Alchemy, and the alchemical papyrus of Leide connects in every respect with two in the same series which are solely magical and Gnostic." (II.) That, as Berthelot also admits, or, more correctly, as it follows from his admissions, the mystic element entered very early into alchemical literature, and was introduced by persons who had no interest in the practical part, who therefore made use of the early practical documents for their own purposes. (III.) That the Leide papyrus can scarcely be regarded as alchemical in the sense that Geber, Lully, Arnold, Sendivogius, and Philalethes are alchemical writers. It neither is nor pretends to be more than a thesaurus of processes for the falsification and spurious imitation of the precious metals. It has no connection, remote or approximate with their transmutation, and it is devoid of all alchemical terminology. In itself it neither proves nor disproves anything. If we can trace its recipes in avowedly alchemical writers, as M. Berthelot declares is the case, then, and then only, it may be necessary to include alchemists in the category of the compiler of this papyrus.

The Unknown World, No. 2, Vol. 1; Sept. 15, 1894.